I have always loved the way drums sound. During parades, my focus was always on the marchers with the snares; while at concerts my neck was perpetually craned as I struggled to see over the taller members of the crowd who was pumping the rhythm into my usually-tired body. I loved the drums so much that in my early teens my parents purchased me a drum set. They did so even after I had (sometimes with tears in my eyes) shown that playing pained me.
I gripped the sticks too tightly. The single bass drum in the set, rather than relying on the fluid movements of my feet, was powered (very inefficiently) by my hyper-tense legs. The act of playing the drums, no matter how ineptly or for how short a time, was virtually always exhausting and rarely fruitful. Despite these realities, my mother would smile after every impromptu jam session. “Sounds great, honey,” she would say, as my father rubbed my tense shoulders.
My parents provided a safe environment for me to come into my own, yet they never kept me too sheltered. When my mother says I’m doing good work, I believe her. This is in no small part due to the fact that she is among the first to tell me when I’m being foolhardy; to remind me when I’m getting a bit too big for my britches. “You are a smart man, but that does not mean other people have nothing to teach you,” she reminds me frequently enough to quash the worst of my arrogance. I don’t have to read between the lines. I don’t have to consider that my parents may be keeping me ignorant of some reality, or sparing me some perceived pain by coddling me.
“It hurts me to play,” I finally confessed as we sat on a hotel porch together watching the sun set, “but I want to play. I want to prove to everyone that I can do it! I want to inspire! I want to be somebody!”
I felt a lump growing in my throat as my father turned to me and said bluntly, “You probably won’t be a great drummer, but the way you communicate is amazing…what you make people feel is remarkable. Not because of how you walk, or fall or overcome, but because of how you connect with them.”
In that moment, it became clear: I didn’t have to play the drums to love them. I didn’t have to prove anything. I was more than good enough just as I was, with all the gifts I have. Around the same time, my interest in the drums had found its way into my writing. I had composed a poem about my experiences trying to learn to play: a poem that won first prize in a school-wide contest. When my mother read it, she was genuinely moved. My father, equally impressed, gave me a hug and said, “You really do have a talent for writing.”
There is a crucial lesson here that every parent of a disabled child can learn from my amazing mother and father.
It’s important to understand the difference between parenting without pity and expecting normalcy.
This is a trap that I have seen many parents fall into. Disability can be quite unexpected. As parents scramble to navigate the landscape it creates, most rely (understandably, sometimes) on the following dichotomy:
- My child can be “normal.” (good)
- My child will live on the margins as an outcast with no opportunities. (bad)
Parents are right to not wish the second option on their children. However, expecting a child to be “normal” is seldom the answer. This is because being “normal” and “accepted” are often conflated. Every person deserves the respect and acceptance that comes with being human, but making a child behave “normally” often strips them of a potential connection with disability identity and culture. This connection often creates our most fierce and respected advocates and thought leaders. In my case, this connection is what makes me feel whole.
I don’t play the drums anymore, but I still love them. I write now, and I love that too.
My parents didn’t just buy me a drum set that day. They gave me permission to try. They let me learn who I was and who I wasn’t, instead of telling me. They treated me with love and respect whether I was flailing around on the drums or penning my next masterpiece.
I love you, Mom and Dad.
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